If there’s one thing this revenge-fueled heist film lacks, it’s that. It’s a change of pace to be sure, but not always a good one. ![]() That unbending modus operandi rests intact in his latest bloodbath, “Wrath of Man,” but oddly sans his usual wicked sense of humor. It’s almost exclusively a boy’s club in which women are largely for show and the sexual satisfaction of his morally corrupt men. Yet, his films have an unmistakable signature style in which quips and violence walk hand in hand through a landscape of macho bravado. ![]() Other than “Lock, Stock and Two Smoking Barrels,” originality has never been Guy Ritchie’s strong suit.
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